People convey their opinions about moral and social dilemmas in different ways Essay Example For Students

People convey their opinions about moral and social dilemmas in different ways Essay People convey their opinions about moral and social dilemmas in different ways. Writers use different literary forms to express their ideas. Autobiographical books are one means authors use to convey their personal history. Another style of literary composition is satire. Satire is the use of sarcasm and irony to portray human follies or to ridicule human failings Stein 1270. Science fiction is a literary form of fiction, which has split from the broader form of fantasy; in which the plot, setting and theme are drawn from scientific knowledge Benets 876. The autobiographical form used by Elie Wiesel in Night and the form of satirical humor used by Joseph Heller in Catch-22 more effectively depict anti-war themes than the science fiction form used by Kurt Vonnegut in Slaughterhouse-Five. In the book Night, Elie Wiesel uses an autobiographical approach to convey his anti-war themes. Wiesel hopes, the memory of evil will serve as a shield against evil Cover Summary. Autobiographies are successful in conveying their themes because the writer uses words as windows through which the intended thoughts and feelingsà ¢Ã¢â€š ¬Ã‚ ¦shine through Lomask 73-74. This approach makes the brutal events of the Holocaust seem painfully real. The readers are affected because they know the atrocities are documentations of actual events. After reading the novel Night, one is changed. Wiesels autobiographical approach in Night is successful because the events are personal; they are colorfully described putting the reader in the midst of the action. Night is an autobiographical account, that attempts to provide a place where one Holocaust survivor can speak for himself Brown 96. Elie Wiesel tells his own story of the death and destruction of Jews during WWII. There is an abundance of almost unbearable sections. The stories Moshe the Beadle tells about the troops throwing babies into the air and using them as target practice and the mass grave from which he escaped are dreadful. Wiesel describes the events in such a descriptive manner that it is hard not to be affected. The physical punishment and emotional damage suffered by the Jews affects the reader and leaves a lasting impression. If we are to learn from Elie Wiesel, we must listen to his storiesà ¢Ã¢â€š ¬Ã‚ ¦they open horizons we had never seen before. They smash barriers we had thought were impregnable. They leave us desolate. They also bind us in new and deeper relationships Brown 7. Wiesels writing, à ¢Ã¢â€š ¬Ã‚ ¦encounters depths of evil we have never imagined, let alone acknowledged. In listening to him we may be shattered Brown 6. It is unfathomable to think of what the Jews in the concentration camps had to go through. Wieselss personal remembrance of the despair and horror he felt is described as follows: I pinched my face. Was I still alive? Was I awake? I could not believe it. How could it be possible for them to burn people, children, and for the world to keep silent? No, none of this could be true. It was a nightmareà ¢Ã¢â€š ¬Ã‚ ¦Soon I should wake with a start, my heart pounding, and find myself in the bedroom of my childhood, among my booksà ¢Ã¢â€š ¬Ã‚ ¦ Wiesel 30. The descriptions of the Nazis having no qualms slaughtering masses of innocent people strikes a chord deep in the readers heart. Wiesel hopes that his stories will prompt a reflection that leads to a more humane future so there will not be a repetition of the events in the future Napierkowski 230. Wiesels autobiography is successful because he uses colorful language to set the scene and describe the events. He tells his story using words as windows through which the intended thoughts and feelingsà ¢Ã¢â€š ¬Ã‚ ¦shine through which reveal a picture in ones mind Lomask 73-74. He eloquently describes events like the first day in the concentration camp: Not far from us, flames were leaping up from a ditch, gigantic flames. They were burning something. A lorry drew up at the pit and delivered its loadlittle children. Babies! Yes, I saw itsaw it with my own eyesà ¢Ã¢â€š ¬Ã‚ ¦those children in the flames Wiesel 30. Night is full of detailed descriptions like the one just quoted. Wiesels intense and descriptive first person account of his incarceration leaves one stunned. Wiesel sets up a particularly graphic scene describing one of the hangings he witnessed, of a young boy and two adults, The SS seemed more preoccupied, more disturbed than usualà ¢Ã¢â€š ¬Ã‚ ¦all eyes were on the child. The description goes on: The three chairs tipped over. Total silence throughout the campà ¢Ã¢â€š ¬Ã‚ ¦The two adults were no longer alive, their tongues hung swollen, blue tingedà ¢Ã¢â€š ¬Ã‚ ¦the child was still aliveà ¢Ã¢â€š ¬Ã‚ ¦For more than half an hour he stayed there, struggling between life and death, dying in slow agony under our eyes Wiesel 61-62. One knows an unusually brutal event is to come, since SS officers have mixed feelings about what is to happen to the boy. As predicted, a thorough description of a horrifying event takes place. The accumulation of all these detailed descriptions reinforces the anti-war theme in Elie Wiesels Night. The autobiographical approach used by Wiesel is not the only successful way of depicting an anti-war theme. The black comedy used in Joseph Hellers Catch-22 successfully portrays his anti-war theme. Waterlily by Ella Cara Deloria EssayAs Yossarian learns by trying to get the airbase doctor to ground him as unfit for flying, there is a catch: In the Air Force Medical Rule Book, it is called Catch-22à ¢Ã¢â€š ¬Ã‚ ¦Yossarian was moved very deeply by the absolute simplicity of this clause of Catch-22 and let out a respectful whistle. Thats some catch, that Catch-22, he observed. Its the best catch there is, Doc Daneeka agreed Muir 970-971. There is an abundance of the events in Catch-22, which are quite irrational. It is the repetition of these events that helps portray the anti-war theme. Kurt Vonneguts Slaughterhouse-Five does not portray an anti-war theme as well as Night or Catch-22. The latter two books are successful in conveying their anti-war themes. The colorful autobiography of Wiesel and the satirical humor in Catch-22 more effectively portray the obscenities of war than Vonneguts Slaughterhouse-Five. Slaughterhouse-Five is fictional and not written with many shocking, colorful descriptions of atrocities, which occurred during WWII as Elie Wiesels Night. The science fiction parts of the book are over emphasized. One does not get a truthful account of the happenings of WWII from Slaughterhouse-Five. The Tralfamadorians science fiction aspects of the novel dull the anti-war theme. Their beliefs coerce Billy to forget about the war; the Tralfamadorians tell Billy, one thing Earthlings might learn to do, if they tried hard enough: Ignore the awful times, and concentrate on the good ones Vonnegut 117. They also tell Billy, we spend eternity looking at pleasant moments; they cannot do anything about the awful times, so they ignore them Vonnegut 117. The climax of the novel is the fire bombing of Dresden; the reader is aware of this from the start, it is stated in the first chapter. The description of the bombing it is short; one could almost miss it. Billy does not travel back to the event nor does he re-live it, like he does many other less important events. The books climax is supposed to be the fire bombing of Dresden; all the reader is given is three pages about the whole event, without any description of the bombing itself. For among its Slaughterhouse-Fives fifty thousand words the reader will not find a single description of the bombing. Throughout the book we know it is coming, for Vonnegut has introduced the topic on the novels second page, we know it has happened within the structure of the book, because its final chapter ends with the author and his created characters working in the ruins. But the historical events that transpired on the night of 13-14 February 1945 are nowhere to be found in Slaughterhouse-Five Klinkowitz 44-45. One feels let down after reading Slaughterhouse-Five. The back cover of the book says, Slaughterhouse-Five is one of the worlds greatest anti-war books. Centering on the infamous firebombing of Dresden giving the reader a false perception of what the book is about Cover Review. Slaughterhouse-Five has been glorified as an anti-war novel. It does not send as harsh an anti-war message as Elie Wiesel delivers in Night. Slaughterhouse-Five, the odyssey of Billy Pilgrams life as he travels backwards and forwards before and after WWII, has a less compelling anti-war theme that that of Catch-22. Scattered throughout the story of Billy Pilgrims capture and incarceration, are narrative episodes from his life, both before and after the war. The random unorganized technique Vonnegut uses muffles the anti-war theme. Some scenes become so jumbled that they seem to have no cause or effect. Many of the events and concepts from the book are hard to understand because they are not written in chronological order. The transition from chapter to chapter is hard to follow. Vonnegut even warns us of this on the title page by stating, This is a novel somewhat in theà ¢Ã¢â€š ¬Ã‚ ¦schizophrenic manner of tales, meaning that it is jumbled and in no particular order. This makes for a tough book to read and understand. One must read all the way through the book, then put the events in a chronological order in order for them to make sense. In conclusion, the moral and social dilemmas of anti-war are more effectively depicted in the autobiographical form used by Elie Wiesel in Night and the form of satirical humor used by Joseph Heller in Catch-22, than the science fiction form used by Kurt Vonnegut in Slaughterhouse-Five. Elie Wiesels autobiographical account of the Holocaust during WWII depicts an emotional anti-war theme. Wiesel hopes the imagery, the graphic descriptions, and the horror of the Holocaust will serve as a shield against evil. Joseph Hellers Catch-22 shows how war brings out the worst in people. The satirical humor is used to convey the seriousness of the anti-war message. Slaughterhouse-Five is Kurt Vonneguts attempt at the examination of WWII. The science fiction form muffled the anti-war message. All three of these books have anti-war themes; some literary forms worked better in conveying their ideas than others.